CRR Live, by Rudis/Custodio/Diaz-Infante

CRR Live

by Rudis/Custodio/Diaz-Infante

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1.	21 Grand, 6.26.02: 00:00:00.000 [Start] 00:06	buy track
2.	00:00:06.416 [Introductory] 00:56	buy track
3.	00:01:03.034 [Uncertainty] 00:35	buy track
4.	00:01:38.474 [Instate] 02:37	buy track
5.	00:04:17.667 01:10	buy track
6.	00:05:26.477 00:43	buy track
7.	00:06:09.776 02:00	buy track
8.	00:08:10.767 01:03	buy track
9.	00:09:13.911 [Start Of Desert][Audience] 06:17	buy track
10.	00:15:31.631 [Audience] 01:58	buy track
11.	00:17:32.610 [Andre In; Temporarily] [Audience] 04:07	buy track
12.	00:21:37.586 [Audience] 00:59	buy track
13.	00:22:37.273 [End Of Desert] [Audience] 01:10	buy track
14.	00:23:46.447 [Restate] 00:40	buy track
15.	00:24:28.775 00:53	buy track
16.	00:25:22.076 00:31	buy track
17.	00:25:53.692 [Ending State] 05:23	buy track
18.	00:31:16.870 [Audience] 00:22	buy track
19.	00:31:39.468 [Audience] [Andre; Terse] 00:08	buy track
20.	Luggage Store Gallery, 6.27.02: 00:00:00.000 [Audience/Instate] 01:38	buy track
21.	00:01:38.753 01:20	buy track
22.	00:02:58.915 01:11	buy track
23.	00:04:10.527 01:29	buy track
24.	00:05:39.678 01:38	buy track
25.	00:07:18.545 02:22	buy track
26.	00:09:41.193 02:02	buy track
27.	00:11:44.185 01:48	buy track
28.	00:13:32.844 01:59	buy track
29.	00:15:32.777 [Ending State] 03:46	buy track
30.	00:19:19.950 [Audience] 01:13	buy track
31.	00:20:32.797 [Succinct Encore] 10:44	buy track
32.	00:31:17.443 [Audience] 00:17	buy track

credits

released October 12, 2007

CRR Live:
The Performers:
Lx Rudis: DJ rig, Two copies of "Crashing The Russian Renaissance" (CRR).
André Custodio: Nord Modular Synthesizer, Microphone, Darbuka, Voice.
Ernesto Diaz-Infante: Amplified Acoustic Steelstring Guitar (extended technique).

The Production Team:
Marjorie Sturm: Executive Producer.
Tomas Hassan: Liaison to PAX Recordings
Lx Rudis: Field Recording, Edits.
Darwin Grosse: Mastering Engineer, Edits.
Tohru Kanayama: Graphics and Product design.

Special Thanks to:
Sarah Lockhart and Darren Jenkins: 21 Grand, Oakland Ca.
Rent Romus: The Luggage Store, S.F. Ca.
...most importantly: All those who came to see us perform.

a translated review of CRR:
"Interesting this work of improvisation acoustic-electronic that without to resort to continuously makes up of free effect a sonorous flow in evolution, all to follow. A veicolata remarkable sonic-structural analysis from a will and a talent express to you acknowledges behind these brand that they guide to us exactly to gradevole ones I listen. Computer science-electronic means come used like acquired instrument, calmly un order to catch up the own scopes and a perfect equilibrium between the electronic aspect and the acoustic of the job is demonstrated, therefore, to essential thing, guaranteeing, sure without to degrade to role of shoulder for debatable emphases of banal materials...
It would remain to comprise the title ago it that reference between the other to a restaurant verosimilmente of San Francisco (city where it has happened the recording) represented to the inside of the simple booklet from the beautiful one, originates them and intrigued graphical, but I prefer to leave the divertimento to others. On a often granular land, to times close to wireless atmospheres from bands little practiced, lie down sonorous events of every type. From the ropes scratched or pizzcate of the guitar or of violin of Ernesto Diaz-Infante to its voice, than in trace 24 is even made alarming...
The percussion of André Custodio between which the Darbuka (from African to goblet shape) and Linens 6 [green pod] that beyond to the reference vegetable it does not say to me null (!), but listened to also the moentina of trace 10 that comes made to fall on purpose on its guitar. Still other "concrete" sounds as it deals break you of wireless voices, but also the remarkable electronic elaborations of the multimedia artist Lx Rudis who converses with the two companions through its Matrix 12, the super flexible analogically sintetizzatore produced from the Oberheim beginning half of years 80 and not more in production. Softer traces and little sgranate like from the 15 do not lack to the 17 even "more musical ones", but that they yield endured the step to other "more noisy ones" and complex. The material comes distributed slowly along the fast brain without search of and roboanti alternations, with delicacy therefore. In any case an alloy coherence deep the several traces offering to us I listen soothed seppur complex. Also in seat we find ourselves to times in the interstellar space to capture with one mysterious radios electromagnetic events for tradurli in sonorous events, but sooner or later it vocalizes of Diaz-Infante or the pizzicato of the guitar us risvegliano and brings back us to the inside of the small boat where the three authors are performance..." --Ignazio Prignano, All About Jazz Italia

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Pax Recordings San Francisco, California

In 1997, San Francisco composer/guitarist Ernesto Diaz-Infante began the Pax Recordings record label which is dedicated to the documentation, preservation, and contagion of music from the margins of our culture and psyches. He and filmmaker Marjorie Sturm run Pax Recordings. ... more

paxrecordings.com

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