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Ars Vivende

by The Abstractions

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1.
the bitter undiscovered alienated (male) genius club the bitter undiscovered alienated (male) genius club meets tuesdays @ 5:00 finally, it's love and only love met as the answer to homicidal despots who havn't learned to turn voodoo tricks in bed like you do. there isn't a hardcost realization that doesn't drive us to some forgotten memory you don't pay for cause the purpose is perpendicular the liberation of sound & soul cult of passion parallel to the shared reality of squares, diamonds, measurements piecemeal preparations undergone after the infinite war of petty egos calculating wins & losses the ineffable treachery of common law sonic substitution drunk like the Last Great Love inward idealism of the perturbed & perverted hugged & held for it's consistent vitality cast out & forward the last remains of what is not corporately controlled. ©2003 marjorie sturm
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The Tower 01:14
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cultivate the voices in the wilderness cultivate the voices in the wilderness perceive a universal truth feel feeble and corrupt secrete the prospects of democracy chisel tall green forests cast rolling yellow hills dispose of individual liberty take care of worldly philosophers and anarchists kneel to unorthodox visions of the mind bow to profound insights crawl toward unraveling arrange ideas shaped silence freedom stifle words and images muzzle the inner light of the human spirit hush the sweetness of tone cultivate the voices in the wilderness cultivate the voices in the universe cultivate the voices in the wilderness ©2003 ernesto diaz-infante
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Lurch 07:00
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The Thread 03:28
THE THREAD the thread through all of my living nightmares and waking daydreams there is a thread that won't break no matter how hard i pull it the tension on the thread is always changing and i measure my day by it daring to watch myself awaken i watch myself awaken uplift and candle that has fallen was forgotten before sleep. then as if searching for the door in a pitch black room i am lost can not be located how to get back to my body when all i can hear is my breathe (breathe) no salvation from the corporation the supermarkets scare me they are a signal bags and boxes tubes and testers trial and error what do they do without their want? what do they do without their want? streets filled with snakes that all go to the theatres but i have no tickests to timely events so i wander and wander about my movie each sequence is a seance that seeks no other moment waving my days into margins where i'm no longer asked my opinion but the conversations that i have with myself i am confident others can hear the conversations that i have w/myself i am confident others can hear making them awkward in my prescence so i get up & enter the drama that drifts me back to that place i get up and enter the drama that drifts me back to that place where no one is watching no longer a solution only fleeting states of satisfaction where only the insane are smiling and the ecstasy is slippery. ©2003 marjorie sturm
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companions on the journey through a lost america be bent upon moments have in store for reaction whistle for desconstruction animals, the guardian spirits, companions on the journey through a lost america hang fire get under the wire stretch out a continous line animals, the guardian spirits, companions on the journey through a lost america... through a lost america ©2003 ernesto diaz-infante
10.
WAR AFTER WAR AFTER THE WAR CAME THE BARKING OF DOGS. AFTER THE WAR THERE WAS CHAOS. NO SILENCE OF PEACE AGAINST NIGHTMARE. AFTER THE WAR CAME ANOTHER. WAR AFTER, WAR AFTER, WAR AFTER WAR. AFTER A WAR COMES ANOTHER. THE BADGE OF THE ASSASIN HAILING HEROIC THE VICTORY OF THE SAINTS. WHILE CONSPIRATORIAL SMILES ARE HIDDEN BY CONSTRAINT. THE GHOSTS OF BETRAYAL HAUNTING HIDEOUS THE MASTERS BRUTAL NAME WHILE THEOLOGICAL SPECTRES BLESS THIS CURSED GAME. WAR AFTER, WAR AFTER, WAR AFTER WAR. AFTER THIS WAR COMES ANOTHER. ©2003 Phillip Everett
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Demon Down 03:33
DEMON DOWN TWISTED SOME PEOPLE WILL HAVE IT THAT EVIL HAS NO FACE, THAT THE DEVIL IS HIDDEN IN A FAR INVISIBLE PLACE. AS VEILS OF ABSTRACTION HAUNT INFINITE SPACE, A METAPHORIC MYTHOLOGIC MYSTIC FALL FROM GRACE. THE CORRUPTED HEART AND THE HELLBOUND SOUL? THIS CURSED PHANTASIA IS GROWING OLD. THE INUENDO, THE LIES BEING TOLD. TIME TO DEAL, OR QUIETLY FOLD. VANITY, PRIDE AND GLORY LEADING TO THE KILL THE GREED AND UTTER PASSION A CHILLING COLD ILL WILL. I HAVE THIS STRANGE INTUITION. SUPERSTITION, CURSED, FEAR OF THE LAST MAN STANDING, WHEN NO OTHER MAN IS NEAR. I HEAR FOOTSTEPS IN THE THUNDER. WHITE LIGHTNING BLINDS MY EYES. I HEAR VOICES IN THE WIND. BLOOD RAINS CRIMSON COLORED SKIES. I HAVE BEEN TWISTED DOWN TWISTED TWISTED DOWN IN DOUBLE CROSSING TIME I FEEL I AM GETTING EVIL. I HAVE MURDER ON MY MIND. LOOKING OVER YONDER, IS SOMTHING GOING ON? A HARD RAIN FALLING IN THE MIDDLE OF A CON? ULTERIOR AGENDAS? THE DARK BEFORE THE DAWN? MYSTERIOUS CONVERSATION AS SOULS GO INTO PAWN. I HAVE BEEN TWISTED DOWN TWISTED. TWISTED DOWN IN DOUBLE CROSSIING TIME, TWISTED DOWN TWISTED, TWISTED DOWN!! BROKEN DOWN TO DOUBLE CROSSING TIME. I FEEL I AM GETTING EVIL. I HAVE MURDER ON MY MIND I AM TIRED OF TAKING LESS. REVENGE IT WILL BE MINE. ©2003 Phillip Everett
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But Not For Me (Gershwin) They're writing songs of love - but not for me A lucky stars above - but not for me With love to lead the way I've found more clouds of gray Than any Russian play - can guarantee I was a fool to fall - and get that way Ah ho alas and awe - So lackaday Although I can't dismiss The memory of her kiss I guess she's not - She's not for me
18.
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no more loans - Marjorie Sturm the banks are on fire the basement has been flooded barbed wire holds me back the interiors everywhere have vanished everywhere have vanished into envelopes pushing angst the money lenders loathe their positions as the paranoid priests of the society fastly falling the stifling silence slips into public discourse on celebrities some get suckered that there is a way to get off easy now the witches are watching the banks are on fire along with the billboards big banker watchdog no longer pacing panting pathetically sitting staring at six screens of numbing numbers that hide children's teeth and eyeglasses the strewn artifacts of the afterwar debris the avalanche is inevitable which paradigm will proliferate the forgotten place of no plastics and compulsory posing watch the banks burning. ©2003 marjorie sturm
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flow between my past and my future flow between my past and future like membranes permeable. like variants of experience, like seduction, mediation, and reconciliation. notions of my past and future compete with my present. bridge the large gap between: physical reality and parasite meanings. square face. listen to, look at, the visible music. the position of the guitar, the darkness the irrelevant and quiet moments intervals in the misunderstanding. tactile improvisations. a negative movement, darkness. a negative movement, darkness. and colors dull, and colors sound, and bronze. and colors dull, and colors sound, and bronze. flow between my past and my future and flow between my past and future and flow between my past and future and flow between my past and my future and flow between my past and future and flow between my past and my future flow between my past and future and flow between my past and my future ©2003 ernesto diaz-infante
22.
HEART OF MIDNIGHT LIBERATION OF COMPENSATION CHAOS ASCENDING REALITY IS BENDING REAPING THE RED HARVEST WITCH DOCTOR WAILING VOODOO CHILD PREVAILING A VERY STRANGE SEASON INVOKING UNREASON. ONE ANXIOUS BREATHLESS MOMENT PRECEDES THE MAGIC TORMENT OF THIS DARK HERITAGE. REACHING FOR A LOVE SUPREME THROUGH CORRIDORS THAT SCREAM THE ULTIMATE NIGHTMARE. SOMBER MOODS PREVAIL TO SEEK THE SIRENS WAIL SINGING SONGS OF SULTRY SPLENDOR. AS MYTHS OF CORPORATE TRUST DECOMPOSE INTO THE DUST OF LOST INNOCENCE. NATURAL OBLIGATION TRANSCENDING SUBJUGATION VENGEANCE IS A DARK HERITAGE. DARK HERITAGE, DARK HERITAGE THE SHADOWS ON THE WALL DARK HERITAGE, DARK HERITAGE AS NIGHT BEGINS TO FALL, THE CHEMISTRY OF MOTIVATION, RESTRUCTURING THE METAPHYSICAL TRANSMOGRIFICATION OF THE SPIRITUAL. AS THE BLIND WILL LEAD THE LAME, DANCING ON THE POINT OF A KNIFE. VENGEANCE IS A DARK HERITAGE!!! CAST ME OUT IN THE HEART OF MIDNIGHT. THROW ME DOWN IN THE POURING RAIN. LAY MY HANDS UPON THE DARKNESS. BURY ME DEEP BY THE RIVER'S EDGE. CAST ME OUT IN THE HEART OF MIDNIGHT. FREE MY MIND ON THE MOUTAIN'S LEDGE. END MY TOIL IN THE REALM OF PARADISE. MY HELLBOUND SPIRIT TO RUN INSANE. CURSE MY SOUL WITH BURNING CROSSES. TURN MY LOVE INTO DESPAIR. STEAL MY WEALTH AND SELL MY PASSION. BEAT ME DOWN I JUST DON'T CARE. I WILL SCAR AND THEN I'LL HEAL. PASSING YEARS WILL SOON REVEAL. I'LL BE BACK AND WITHIN TIME, VEANGEANCE ALWAYS WILL BE MINE. SO CAST ME OUT IN THE HEART OF MIDNIGHT-----IF YOU DARE!!!! ©2003 Phillip Everett

about

This is the second full CD release from The Abstractions entitled, ARS VIVENDE (the art of living).
This growing West Coast collective continues to explore music in all its elements foregoing the rules and demolishing walls.

credits

released February 1, 2002

Ernesto Diaz-Infante - vocals/lyrics/acoustic, electric & fretless guitars/guitaint/violin/4-track/turntable/ebow drone/field recordings
Dina Emerson - voice/words/bells
Phillip Everett - drums/autoharp/percussion
Sandor Finta - voice
Lance Grabmiller - laptop,/processing
Bob Marsh - cello/voice/accordion
Jesse Quattro - vocals/words/bells
Alwyn Quebido - electric guitar
Rent Romus - alto, soprano sax/flute/voice/percussion/toys/CD player/ Mr. Bunny/zitherod/scream dolls
Stephen Ruiz – turntable sounds
Marjorie Sturm - lyrics

recorded, engineered, & mastered by Ray Schaeffer at Nazmir Kelpkit Recording and Research Ranch, Richmond California USA 12/16/02, 2/19/03
Mixed by Ray Schaeffer, Rent Romus, Ernesto Diaz-Infante, Jesse Quattro, & Phillip Everett
Produced by Rent Romus, Ernesto Diaz-Infante, Jesse Quattro & Phillip Everett
Design by Tohru Kanayama

Co-released with Edgetone Records.
rentromus.bandcamp.com/album/ars-vivendi

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Pax Recordings San Francisco, California

In 1997, San Francisco composer/guitarist Ernesto Diaz-Infante began the Pax Recordings record label which is dedicated to the documentation, preservation, and contagion of music from the margins of our culture and psyches. He and filmmaker Marjorie Sturm run Pax Recordings. ... more

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